Experiencing the Ordinary and Unknown
Renowned artist and photographer Kyungwoo Chun’s performance art, ‘Ordinary Unknown’, at Sunaparanta today typifies his oeuvre of work which focuses on the physical presence of human beings and the exchange generated by their interactions
A dialogue with the self may seem passé in an online world
where we are confronted more by other people’s lives than our own. But here is
an artist whose oeuvre of work intentionally focuses on ‘finding the inner
voice’ by physical presence and exchange generated by the interactions of human
“Nowadays, we perceive things with certain intelligence as we receive a lot of information. But there is no physical experience of space, taste, touch and so on. These are virtualised. Hence, I want to make it possible for us to be more concentric in our physical experience and discover something new of the self in the process,” explains Kyungwoo Chun of his unconventional experiments in performance art as well as photography, which have been well received the world over, right from his native Seoul, to Germany where he lives, to Europe and the USA.
Arranging meetings and interactions with groups of people he does not know and who are unrelated to each other, sometimes ranging from 1,000 participants to just two, Chun avers that the process is an experience for the participant as well as the public. “I draw the ideas from moments of everyday life and try to give it a new perception. I initiate the process, but I share it as a co-author with my participants. I let them interpret the role as they like while tapping on their innermost sensibilities. I initiate the situation where they not only confront their own nature, but that of others. Through simple gestures, I invite a shift in perception – how we wish to be seen or how we relate to those around us,” explains Chun of the process, which, he reveals, evokes new experiences every time he tries it with a new group/individual.
Time is of the essence in these performances. “I try to find my way of taking pictures of the process and feel the quality of time rather than the amount of time spent together.”
In the realm of photography, his images are intentionally blurred. “They are in fact sharp. The blurred image is a reference to the time and experience in extracting the actual self. It may take a while, but the realisation of the entire picture dawns slowly,” explains Chun.
On his first ever trip to India and Goa, he is enamoured with the country of myriad languages, cultures and religions and the interaction of the people thereof. A subject most suited to his unconventional experiments, the first of which he will conduct today in Goa.
(Ordinary Unknown will be held at Sunaparanta, Goa Centre for the Arts on February 22, 2015 at 6pm)
- The crescendo will rise, as the sun sets, at the Monte
- Rina Shirodkar wins National Award as Innovative Artist
- When in doubt, pedal it out
- Better late than never: Stop Goan roads from becoming open kitchens
- Paintings about the Goan way of life
- JOSH or Not? Bird’s eye views from the new Mandovi bridge
- ‘Hold my Hand’ wins hearts
- When every mixed feeling is a high
- The return of Sunburn: Goa’s gearing up for a Klassique!
- Mysteries of the Goan-Portuguese shared heritage
- My only mistake was that I was trying to cleanse the GSL: Rear Admiral (Rtd) Menon
- What kind of republic are we celebrating?
................... Advertisements ...................