02 Aug 2018 | 03:16am IST
Goa’s art and its research
Versatile Goan artist Dr Shivaji Mukund Shet is renowned for his work on canvas as well as in the field of research. He is the first Goan to be awarded the National – Senior Research Fellowship this year from the Centre for Cultural Resources and Training (CCRT), Delhi and also the first Goan awarded a Doctorate in Fine Arts. Café speaks to the artist about his research and what he feels about the art scene in Goa
Dolcy D’Cruz
Dr Shivaji Mukund Shet is a busy artist. If he is not
pouring his concentration into his next
exhibition, he is occupied with his research. He was recently awarded the
National – Senior Research Fellowship this year from the Centre for Cultural
Resources and Training (CCRT), Delhi for the year 2018-20, making him the first
Goan to be awarded.
Speaking about the importance of being
awarded the Senior Research Fellowship, Shivaji explains, “This is an award for
outstanding artistes in the fields of culture. National Research Fellowship is
given by Centre for Cultural Resources and Training, Delhi for a period of two
years. The objective is to encourage analytical application of new research
techniques, technological and management principles to contemporary issues in
areas related to art and culture.” He has submitted his synopsis on ‘Indian
Oleography: Critical analysis – II, theoretical and practical approach’ in
Visual Art, with Graphic Art (Printmaking).
“I feel proud to be the only Goan selected
for the National Senior Fellowship from CCRT – Delhi. I also feel proud for
being the first Goan awarded a Doctorate in Fine Arts from the Visva Bharati
University, Santiniketan on February 20, 2017. Earlier, in 2000-2002, I awarded
Junior Research Fellowship from the Human Resource Department, New Delhi for my
project ‘Interrelationship between Man and woman in relation with the Indian,
Western and Far Eastern Philosophy: Purusha and Prakriti, Adam and Eve and Yin
and Yang’. While in 2011-2013, I awarded Junior Research Fellowship from the
Department of Art and Culture, New Delhi for ‘The Kamasutra Series – The
experimental works through various printmaking methods and the contemporary
innovative printmaking in India’,” says Shivaji, expressing his joy.
Under the National Senior Fellowship, the
awardees need to submit six-month progress reports as per the dates provided by
CCRT. These reports are according to the synopsis and content submitted, by
carrying out research as per the chapterisation with theoretical and practical
study. All the reports must carry detail research works with proper
illustrations, paintings or prints related to chapters. The materials for
paintings and printmakings for a period of two years are also required.
Originally from Cumbarjua island in
Tiswadi taluka, Shivaji is the only member of his family who opted for arts.
“My father, freedom fighter late Mukund Mortu Shet and my mother, late Laxmibai
Mukund Shet, were a great source of support, inspiration and motivation without
which I would not have been in position to fulfil my hopes, aspirations and
dreams,” he states, with a deep sense of gratitude. “I have been the only
person in my family working successfully in the creative world of art. I now
see my daughter, Saanvi, with her brushes and palette, playing with colours on
paper; maybe she will continue my tradition,” he adds with a smile.
Shivaji’s last solo exhibition in May 2017 was close to his
heart for different reasons. ‘Shraddhanjali’ was dedicated to his late wife,
Trupti Shet, to fulfil her wish. The show was a tribute from daughter Saanvi to
her mother. He also celebrated Women’s Day and felicitated five prominent women
of Goa.
“Presently, I am engaged in preparing new research synopsis for
new projects and developing new concepts, working the layout for series of
paintings and a series on prints for my future solo shows,” he says.
While there are talented and research oriented artists in Goa,
there is no proper venue where they can apply for their post graduation in the
state itself. Stating his opinion regarding what the state needs when it comes
to art education, Shivaji believes that the Goa College of Art, affiliated to
Goa University, is in dire need of a sea-change. “The Goa College of Art has
completed 45 years but till now it does not have a post graduate degree course,
research programmes or even certificate and diploma courses,” he says.
He adds, “The students, after passing their Bachelor’s degree in
painting and applied arts, have to travel to nearby states for the post
graduation studies. Even then, not everyone gets admission as there are limited
seats in said universities. Goan fine arts students are facing this major
problem because of the unavailability of post graduation and research
programmes and studies of fine arts in Goa. All colleges in India have a
principal for a period of two or three years as per the rules and regulations
set by university/UGC but Goa College of Art is the only college with one
person holding the position of Principal for the last 16 years on ad-hoc
basis.”
To conclude, Shivaji explains the disappointment he feels with
regard to the present scenario of fine arts in Goa. “Fine arts in Goa is in a
deteriorating phase as the government is neglecting the infrastructure and
development of art. There are hardly one or two workshops conducted, which are
not fruitful to the artists. There’s not a single State Art Studio for the
welfare of the artists, no art galleries promoting Goan artists, no single Goa
Government department that collaborates with neighbouring state art galleries
nor any art exchange programmes held in Goa. It’s necessary for the Goa Government
to pay attention to fine artists and the art community of Goa,” he firmly
states.
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