01 Feb 2023  |   06:04am IST

The vulnerable art of Goa’s coconut handicrafts

Coconut, the miracle tree, has its roots deeply embedded in the Goan blood. However, coconut has its very art form sculpted by a very few coconut hand-craftsmen of the state
The vulnerable art of Goa’s coconut handicrafts

Aalokshi Awade

In Sanskrit, the coconut is known  as ‘Kalpavriksha’, translating  it as ‘Divine Tree’. The term  coconut dates back to the 16th  century. The coconut tree has  multiple uses. The tender coconut  serves as a refreshing drink that  can be directly sipped from the  unripe coconut; the inner portion  of the tender coconut is equally  nutritious and is rich in multiple  vitamins and minerals. When  ripened, it is utilized in various  curries or even for desserts. Dried  and shredded or desiccated  coconut is used to thicken curries  and the oil derived from coconut  is commonly used for frying and  has miraculous benefits for hair,  and skin and is prominently used in  home remedies due to its healing  and medicinal benefits. Jaggery or  Palm sugar is prepared from the  sap and it is further fermented to  make the toddy which is a mildly  alcoholic beverage. Other parts are  utilized as firewood. Roofs, hats,  mats, bowls, furniture, cordage,  brooms, dresses, charcoal,  hand fans, jewellery, musical  instruments, etc. are made out of  coconut wood, and the dried shells  of coconut.  Coconut crafts in India  involves the creation of utility and  decorative items with coconut  shells. A few of the tools and raw  materials used for coconut shell  craft include a hacksaw blade, an  emery sheet, buffing machine,  an adhesive, and wood polish.  Goa is known for its handicrafts  and the renowned artists for  coconut art and handicrafts in Goa  include Vijaydatta Lotlikar, Sonu  Shetgaonkar, and Deepak Naik.  Vijaydatta Lotlikar has a record  in the Limca Book of Records for  building an 8-foot-tall traditional  lamp out of coconut shells. He  previously received a national  award in 2008 from the Coconut  Development Board, Ministry  of Agriculture, and has written  a book ‘Coconut: The Art of  Coconut Craft’.  Sonu Shetgaonkar has been  in the coconut handicraft-making  sector for over two decades. The  Morjim-based handicraftsman  makes his handicrafts along with  his wife Sonali Shetgaonkar. They  use their self-modified equipment  and attach them to the machine  grinder. According to Sonali, the  process starts with cutting the  coconut with a hacksaw. The  coconut flesh is then scooped  and scraped off the shell. They  then use the rough-grit sandpaper  to remove the hairy fibres and  even the outermost surface of  the shell. Buffing, a systematic  process follows as the next step  where varnishing the product  adds an aesthetic gloss. The  adhesive is later used to put two  different pieces of the product  to finalize it. Sometimes, they  even use a colored stone  while buffing to enhance the  colour. ‘Samudramanthan’, one of  his coconut crafts was selected  National Award in 2003. He was  awarded the Goa State Award-  ‘Yuva Srujan Puraskar’ in 2009, and  ‘Azadika Amrut Mohatsav’ in 2022.  Deepak Naik, has also been  in this sector for approximately  seven years. He engages himself  in thermocol (Polystyrene)  decoration, fisheries, and making  handicrafts from coconut shells.  While Sonu makes a wide range of  varieties for their crafts including  bowls, cups, spatulas, vases and  pots, hanging lamps and planters,  table lamps, and souvenirs out of  coconut shells, Deepak Naik, on  the other hand, specializes in small  ornamental crafts like earrings,  pendants, clips, and necklaces.  Sonu and Deepak also organise  workshops at various educational  institutes. Sonu shares, “These  workshops are only  for a day. I want them to get a  broader insight towards coconut  handicrafts, so we try our best to  have it for a prolonged  duration.”  One of the challenges  faced by them is the nonrecognition  of their work  and lack of funding by the  government. These Goan  handicraftsmen feel that  their work goes unnoticed,  hence making it a vulnerable  art form in Goa. While the  artists are showcasing their best  in talent, there are not many  venues where they can exhibit  their handicrafts. For this form  of handicrafts to be encouraged,  more young minds should be  introduced to coconut crafts.

IDhar UDHAR

Idhar Udhar