07 Dec 2022 | 05:36am IST
When Christmas music becomes Child’s Play
After their last concert in 2019, Child’s Play India Foundation is making an emotional comeback with their annual Christmas concert, ‘A Christmas Festival’ on December 11. The founder of Child’s Play India Foundation, Dr Luis Dias, has kept the spirit high of these children during the lockdown
Dolcy D’Cruz
When Child’s Play India
Foundation was set up in Goa over ten years back, it had a much focused goal.
Its mission was to instil positive values and provide social empowerment to
India’s disadvantaged children through the teaching of classical music to the
highest possible standard. Fast forward to December 2022, the children are back
with their musical instruments post the pandemic to face the audience with a
new confidence and zest to live life with music to empower them.
The
annual Christmas concert, ‘A Christmas Festival’ featuring the Child's Play
Chorus, Goa Chamber Choir and Camerata Goa will be performed on December 11 at
6 pm at Menezes Braganza hall, Panjim. This will be their first Christmas
concert after their performance in 2019 and their first stage performance after
their cello ensemble concert featuring about 20 cello students, just weeks
before the coronavirus pandemic hit, in March 2020.
Speaking
about the music that one will experience at the concert, Dr Luis Dias, founder
of Child’s Play India Foundation, explains the programme, “Camerata Goa will be
playing a Minuet by Luigi Boccherini, taken from his string quintet and
arranged for string orchestra. They will also play a string ensemble
arrangement of Antonin Dvorak’s Humoresque, the seventh in his cycle of eight
Humoresques from his piano opus, and the most loved of the selection. Johann
Pachelbel’s Canon in D is a staple of young orchestral repertoire, and the
recurring chord progression from it actually is found in many pop songs. It is
also a popular choice at weddings for the entry of the bride into the church.”
He further adds, “In our
Young Performers series at our concerts, we give young musicians (students and
teachers) from Child’s Play and the wider community a platform to showcase
their proficiency at their instrument. This has been a tradition at our
concerts for several years. This year, Manuel Dias will perform the first
movement from Jean-Baptiste Breval’s Concertino in A major, accompanied at the
piano by Ingrid Anne Nazareth. It is a delightful work. The Bach Arioso is
taken from one of his church cantatas and is so popular that it has been
arranged for all sorts of instruments and ensemble combinations. You will hear
it performed on double-bass by Jasiel Peter, visiting musician from Bangalore,
with Ingrid Anne Nazareth at the piano.”
All the three ensembles,
Child’s Play Chorus, Goa Chamber Choir and Camerata Goa are Child’s Play
initiatives. The Child’s Play Chorus is made up of children not just from the
music education project but from the wider community. “We have almost daily enquiries
from parents wanting to enrol their children in our choir. Similarly, Camerata
Goa (formerly Camerata Child’s Play) is also a community project, and has been
around since 2013. It has children and teachers from Child’s Play and musicians
from the community. The Goa Chamber Choir, our adult choral ensemble, will be
performing a wide range of repertoire from standard choral works to popular
music. We welcome adults, young and old, who can sing and love singing to join
the choir,” says Dr Luis.
The youngest at this
concert is six years old, and the age range extends into the teens and early
twenties. All the instruments in a string orchestra, violin, viola, cello,
double-bass, will be featured at the concert. They will also have a selection
of really beautiful works, Christmas fare and more, played by the students of
the flute department and their teacher, Dr Valerie Menezes.
What is special about
this concert? Dr Luis aptly emphasises, “We only resumed regular classes in
this academic year, in June 2022. Many children had been out of touch with
their instruments, just getting back in shape and into more regular practice
was the first step. That we could then be able to put up a Christmas concert in
a few months, is a testament to the work put in by our students and staff, and
this is what makes it so special.”
“We have just launched a
double-bass project, which many more well-established music education
stakeholders in the state don’t yet offer. This concert will feature a solo
performance by one of our students on the instrument, trained by senior bassist
Edgar Mendes. We have also restarted our adult choral ensemble, Goa Chamber
Choir, made up of singers from the wider community, many of whom have a prior
connect with Child’s Play. One of our singers used to be in our children’s
choir project in Santa Cruz, and developed the love of ensemble singing there;
another is an adult learner in our cello project,” he adds.
The world of music has
been highly affected by the Covid-19 pandemic as they could not get the
required instruments or enough practice to keep up with their music. Similarly,
these young children missed out on years of practice and lost touch with their
instruments. “To say that practice was a challenge during the lockdown would be
an understatement, not just for us, but for music education worldwide. It was
most difficult for players of stringed instruments. Instruments tend to get out
of tune very quickly, and unless the child or someone else living with them
knows how to tune it back again, it can be a major obstacle. Furthermore,
online classes were not so easy to organise for several reasons. Many children
don’t have their own devices; their parents may have a phone, but need to take
it with them to work. Not all children had access to an internet connection.
Over the last two years, many of our students have moved out of area, left
school or dropped out of the project while their families tried to recover from
the pandemic. Some are focusing on higher studies or are working. This is reflected
in our numbers but we are slowly rebuilding years of lost work,” says Dr Luis.
On a positive note, Dr
Luis feels a sense of satisfaction when the children take the stage after being
through a daunting time. “In all, there will be around sixty performers in two
choirs and one orchestra. Participants come from far and wide to attend
rehearsals. In an age where at any time of the year, children are preparing for
some exam or the other, it hasn’t been easy planning and scheduling rehearsal
dates and times. For all these reasons, I feel a particular sense of
satisfaction that we’ve been able to pick ourselves up so quickly after we
resumed operations post-Covid.”
“Our first group rehearsal after the
pandemic was quite emotional for me, and I think for most of us. We were
meeting and seeing each other after two years. So many children, I didn’t
recognise at first, they had shot up and were now young adults. I remember
beginning that rehearsal with a prayer of thanks that we had emerged and lived
to tell the tale post-Covid. This concert is not just a celebration of music,
but also one of thanksgiving for the joy and gift of being alive,” concludes Dr
Luis, with optimism that the music will continue through the works of these
young minds.