Cafe

The spotlight is on fashion in Goa

Despite being stylish and glamorous, and one of the few places in India where one can experiment with fashion, designer stores in Goa are far and few. And although Goa hosts fashion events aplenty, it has not been able to produce noteworthy fashion designers either. Café speaks to a few industry stakeholders to get a few answers

Herald Team

Kishore Amati

Fashion designers from the ‘A-list’, for long, have shied away from having their stores in Goa. With the exception of Wendell Rodricks and Malini Ramani, who have their standalone stores in Panjim and Calangute, respectively, and other brands such as SavioJon, Tilla, Aish, Naushad Ali, Fara and Lisa Jackal, to name a few, that function through multi brand boutiques, like Sacha’s Shop for instance, Goa is yet to be exposed to the designs and collections that scorch the ramp at fashion shows across the country and abroad. The reasons for this, according to industry stakeholders, are many.

Ace designer Wendell Rodricks, who has sustained his store since 1996, feels that one of the reasons for fewer designer stores in Goa could be the perception that the tourist season calendar still influences buying trends. Wendell says, “Most designers feel that Goa is a seasonal market, which is not true. Goans love fashion. While many cannot afford the big brand labels, there is sufficient business. It all depends on how designers market themselves.”

Pallav Ojha, the man behind India Beach Fashion Week (IBFW), is also an integral part of the team that recently opened COMO designer collective in Campal. The store features designer labels of over 50 designers from across India and has a healthy mix of designs from veteran and budding designers, at various price points and with multiple sizes to offer. According to the makers of COMO, the focus is to cater to Goans as they feel that the biggest sell in Goa will be party, evening, lounge and cocktail wear. Pallav shares a similar opinion as that of Wendell. He says, “Most designers think that Goa being a tourist destination, it is only the tourists who have the inclination or the buying capacity for designer clothes. Goa is as cool or as stylish as any other urban city. The locals or those settled in Goa are experimenting with their style and have the required spending capacity.

Why is it then that designers like Shivan and Narresh, and Falguni and Shane Peacock, who had a store at Marbela Beach Resort in Morjim, weren’t inspired to continue their business in Goa? Or Asmita Marwah, best known for her boho-chic designs, chose to shut her shop located on the Candolim-Calangute belt? Pallav cites another reason: “The Goan market needs very personalised attention. You need to get connected to the locals, talk to them and befriend them, failing which, one will always be an outsider. You cannot be cold to the locals and expect your business to do well.” 

Another point worth pondering over is that, except for a handful of designers such as SavioJon Fernandes and Riddhi and Siddhi Mapxencar, to name a few, not many designers from Goa have been able to make a lasting impression at the national level. The Mapxencar sisters took the Mumbai route to study fashion designing at NIFT over a decade ago and now manage their label, ‘MapxencaRS’ out of their studio in Mumbai. When asked about why Goa hasn’t been able to churn out enough noteworthy fashion designers, Siddhi says, “Goa lacks a credible fashion institute, which is what made us move to Mumbai. One has to move out of Goa to a cosmopolitan city like Mumbai where the film and fashion industry also inspires a better clientele. Mumbai caters to a wide range of people where you get to meet people from all walks of life and all parts of the world, which is essential for your creativity to thrive.”

According to industry stakeholders, most Goans by nature are ‘comfortable’ in Goa and find it difficult to move out of their comfort zone. That, added with the traditional mindset of most parents, where design and art are yet to gain credibility as serious career options, makes matters more difficult. The required talent and creativity is there but the mentorship needed to make it explode, is missing.

But the situation is changing slowly and things look better. Successful fashion events such as IBFW, and opening of stores such as COMO, are doing enough to provide the desired exposure to all things fashion, that the locals can use. The key then, perhaps, is to wait a little longer for the local talent to shimmer.

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