The curtains unfold to a scene wherein a teenager seeks alms from a well-to-do man. The wealthy man refuses to help, instead abuses the boy. In a fit of rage, the boy picks up a stick and hits on the head of the man, leaving him unconscious. As the cops rush to the spot, the teen flees away from the scene.
The police are on the lookout for the murderer and they try to catch their prey even at the railway station. But to no avail. A boy carrying out a small business of boot polish seeks help from the cops and they help him. Next, the boy hops on the train and paves his way to Goa.
Now, from teen to a grownup youth, this abused man in disguise tries to lure girls, murder them and make his living. There’s another unknown man (Caziton de Cacora), who keeps a track of this abused man and murderer.
Shawn (Vishal) is impressed by gorgeous looking Celina (Antonette de Maina) and proposes. There’s an instant no from the girl, but acceptance follows and love grows between them. Celina also has a twin sister, Monica, who is in the UK.
On the other hand, there’s Candy (Jennifer), who is married to a dumb (Vishal). But she loves him passionately. She also has her brother-in-law taking good care of her in her husband’s absence.
At the police station, there’s an upright PI (Rony), who wishes to clean up the messy system existing around the place. He asks his two constables (Sally, Caetano) to review all those staying on rent and cross-check the tenant verification list.
What follows next in those two households is worth the watch on stage. There are several twists and turns as the tiatr progresses and a good dose of suspense too throughout the show.
Francis de Dicarpale’s fourth production ‘Mhozo Faido Tuzo Kaido’ throws light on the influx of migrants in Goa and the need for tenant verification. Before things move out of hand, there’s an urgent need to keep a check on those travellers making an entry from neighbouring states. Change in names by migrants and its repercussions have also been tackled in the drama. There are a couple of scenes to be watched and admired.
As a strict PI, Rony stands tall in his acts and dialogues. There’s double roles coming from Vishal, Caziton de Cacora and Antonette de Maina and they have handled them with confidence and in style. Agusto de Calangute makes a cameo.
In the comic acts, there’s comedian Sally and Caetano as constables and Brian, Joyel and Fiona join in, extending good support. One scene showing undergarments could have been avoided.
In the section of songs, there are seven renditions wrapped up in the presentation. The opening song is rendered by Agusto de Calangute, followed by solos from Xavier Gomes, Benny de Aldona and Tony de Ribandar. Other songs are by Jennifer and Tony de Ribandar, Benny de Aldona, Caziton de Cacora and Jennifer. A political song by Benny, Xavier and Tony de Ribandar receives an encore. A duo and a quartet went amiss in the presentation. Senon and his musical team have extended good support to the singers on stage.
The stage sets are by Anthony de Ambaji and lights effects have been handled by Tony.