The story revolves around Bruto Moraes (Anif), a landlord with a generous heart and a passion for social service. However, despite his good deeds, his involvement with a married woman, Landrita (Evon), overshadows his virtues, and his misdeeds begin to dominate his reputation.
Pedru (Jose), his wife Reema (Celina), and their daughter Sheela (Jones) live together as a humble family. Due to financial struggles, Pedru decides to start a business and approaches Bruto for assistance. Rather than offering direct financial help, Bruto suggests a practical idea: he offers to buy a trawler for Pedru. The deal includes sharing the profits, with Bruto claiming two shares and Pedru settling for one. The arrangement is accepted, and Pedru’s business begins to flourish.
Bro. Garry (Ivon) enters the picture and urges Bruto to end his relationship with the married Landrita, reminding him that such behavior goes against God’s law. However, blinded by his wealth, fame, and pride, Bruto refuses to change his ways.
Meanwhile, Reema and Sheela try their best to convince Pedru to reflect on the direction his life is heading, warning him that his current path may lead nowhere. Yet, as the head of the family, Pedru remains unmoved.
What unfolds between Bruto and Landrita in the second half of the drama is worth watching. Will Pedru’s rise from poverty lead to lasting success, or will his journey from the gutters to the top take a different turn?
The Lenten show ‘Hi Amchea Patkank Sojea’, written and directed by John Miranda, is a reflective piece that offers many thought-provoking messages. Interspersed throughout the play are Biblical scenes that encourage the audience to reflect on the Word of God. The final scene, depicting the crucifixion of Christ, is particularly powerful and has been portrayed with great care.
All the artistes deliver commendable performances in their respective roles. Anif impresses as the conflicted landlord, while Jose brings simplicity and honesty to the character of Pedru. Evon takes on a negative role as Landrita with convincing flair. The main cast is well-supported by Nazario Pinto, Ali as a lawyer, and Manu, who plays both a priest and another supporting role. In the Biblical scenes, John Miranda appears as Jesus and delivers a moving performance—especially in the concluding scene.
For lighter moments, comedians Lino, Lanesha, and teenager Jonas bring a generous dose of humor. However, the comedic segments sometimes lean more toward pure entertainment than spiritual reflection, which may feel slightly off-tone for the Lenten season.
The musical aspect of the show is strong. Jose opens with a solo, followed by songs from Nazario Pinto, Ivon, Anthony San, Risma, and various group performances by Ivon, Jose, Celina, Jones, Anif, Evon, and others. The live band—featuring Edrol/Megan on trumpet, Cryuf on keyboard, Mariano on bass, and Macmillan on drums—provides solid musical support to all the singers.
Stage sets were effectively managed by Pedro Santan, while lighting was expertly handled by Sunny.