Children and youth shun devices, embrace Ghumat Aarti during Ganesh Chaturthi

Children and youth shun devices, embrace Ghumat Aarti during Ganesh Chaturthi

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SANTOSH NAIK

PONDA: During Ganesh Chaturthi, numerous traditions come alive, including decorations and the setting up of the Matoli. However, one of the key highlights for youth —and increasingly, girls and even younger children—is the learning and playing of the Ghumat, a traditional Goan percussion instrument. In recent times, there has been a noticeable and heartening shift as youngsters put aside their mobile phones to dedicate themselves to mastering the Ghumat for the Aarti, which takes place twice a day—at noon and at night.

In many villages, groups of youth form Aarti teams, performing Ghumat Aarti in homes with devotional songs in praise of Lord Ganesh, such as “Sukh karta, dukh harta, galin lotangan vandin charan”. These performances can last two to three hours, showcasing both devotion and skill.

Elders in the village play the role of mentors, guiding the younger generation through a month-long practice to perfect their art. The Ghumat Aarti has become a community affair, bringing people together. According to former Sarpanch of Curti-Khandepar Dadi Naik, the growing interest among youth in learning the Ghumat and Shamel (a traditional drum) is a heartening trend, as they strive to offer their best performances for Lord Ganesha’s blessings.

Even children, often preoccupied with mobile games, set aside their devices during this festival to take up the Ghumat and learn to sing Aartis. Ulhas Naik from Nagzar shared that elders actively engage in honing the musical skills of the younger generation during this time.

From schools to villages, and even at the State level, numerous Ghumat Aarti competitions are held during the festival, which helps to uncover hidden talent and boost enthusiasm for this traditional musical form. The Ghumat Aarti truly remains the centre of attraction during the Ganesh festival, uniting generations in devotion and music.

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