PERNEM: Women doing anything different than men today is nothing new and there are hardly any areas where women have not left their mark. The art of singing Bhajan and Ghumat Aartis has been predominantly male-centric but women have begun making a mark in this art form too.
These local art forms, especially bhajan, were on the decline to a point where it was feared to be on the verge of extinction. However, more women today are coming forward to showcase their talent, eventually safeguarding the tradition.
Women groups playing bhajan have been a common sight in Pernem in recent years. Earlier, only male groups were invited to perform at Sarvajanik Ganesh Chaturthi celebrations and other festivals.
One of the main reasons why this art form failed to attract young artists was the lack of remuneration. Most of the time these performing groups were rewarded only with tea and refreshments, however, the new groups, males or females, are now offered paid invitations to perform and regarded with respect.
Various competitions too, are organised to provide a platform for upcoming artists. The ‘mandals’ today not only perform out of hobby but also practice the art form as professionally as they can. The majority of the groups have appointed music teachers to hone and improve their skills. Local sarpanchas, panch members, MLAs and businessmen sponsor the women groups with uniforms and musical instruments.
A notable all-female group Shri Kuladevata Devaki Krishna Mahila Bhajani Mandal from Keri, Pernem has not only made waves in the bhajan field but has also showcased their prowess in fugdi and stage plays. So far they have produced 6 dramas and performed across the State in over 70 shows.
“We started as a fugdi group and later ventured into stage plays and bhajan. Our group has won prizes in various competitions and I am proud that today we continue the legacy of these local art forms,” said Sanjana Talkar from Keri.