When a musician plays a type of music completely different
from their roots, and that too with perfection, it raises inquisitive
questions. The same was experienced by Judy Luis Watson, a professional
musician who plays the blues. She fell in love with music as a child while
listening to the band, the Jazz Swingers, playing in her house in Dar es
Salaam, Tanzania. Her book ‘Waiting for the Sunrise’ is a tribute to the Goan jazz
musicians in Dar es Salaam.
‘Waiting for the Sunrise’ is the musical view of the Goan
experience in Dar es Salaam, Tanzania during the 1950s and 1960s. Jazz was the
art form that inspired and connected musicians from as far away as East Africa,
India, and North America. Leading the story is an intimate and engaging
narrative that portrays how Goan jazz musicians enriched their community, while
the background portrays the healing power of music.
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“This band story is a result of a question that kept playing
in my mind when music was my profession.
In the US, after every performance, strangers often asked me
how I learned to play the blues. That recurring question, however, became the
catalyst for delving into my family’s musical roots. How did my dad, Jerry
Luis, of Goan ancestry, but born in Tanganyika, learn the wide range of music
he played? And what about the Jazz Swingers, the band he played with in Dar es
Salaam? This book is based on numerous interviews and conversations with my
parents, mostly my father, spanning the years between October 1999 and June
2015. It is also based on interviews with band members, as well as email
exchanges with them and other Goans in the diaspora,” says Judy who finds her
family’s roots in Candolim and Sangolda on her father’s side and Guirim on her
mother’s side.
An American citizen and member of the second generation to
be born in Tanzania, a few of the Goan traditions Judy remembers is preparing
Goan dishes, attending Catholic religious celebrations and the importance of
the extended family. Speaking about the Jazz Swingers, Judy reminisces, “The
Jazz Swingers often rehearsed at our home, and as children, we saw them perform
at the Goan Institute in Dar. The men in the band as well as their wives or
girlfriends socialised, and the children also spent time together. We were sort
of like an extended family. The band usually played a couple of Konkani songs
at events at the Goan Institute, mostly to please the older generation. Music
was a source of enjoyment for the band members; I believe it sustained them
through the ups and downs of life.”
An educator who enjoys research and writing, Judy started
her research for the book in December 1999.
“Being a musician and educator with an interest in cultural history gave
me a deeper understanding of the role music can play on an individual and group
level,” she says.
The book will be released shortly as an e-book and will also
be available in print on Amazon. It will be available in stores in Goa by
October or November of this year. However, the book has already made a buzz in
the Goan diaspora, “There seems to be quite an excitement about the book from
Goans in Tanzania, Goa, and North America. It’ll be interesting to see what
this translates into. I’m hoping the book might spark thoughtful conversations
on any of the topics in the book: migration and immigration; jazz and blues;
culture; family relationships, and friendships,” says Judy, who was last in Goa
in May 1970 after completing her two years of high school in Siolim. The last
time she was in East Africa was in August 1971 as a student in Nairobi, Kenya.
To conclude, Judy shares her future plans, “I’d like to
meet, in person, the people I’ve associated with while working on this book and
that will involve some international travel. A couple of projects related to
the Goan diaspora are on the burner and I’d like to leave them to marinate a
little while longer.”
