PANJIM: ‘Pavtolo’, a tiatr penned by Basilio Carvalho, directed by Catarin Carvalho and presented by Basilio Art and Cultural Association, Siolim, highlights the influx of migrants in the State and their impact on Goans.
‘Pavtolo’ revolves around two families, one of police inspector James (Vincent Britto), his wife Kimberly (Prescilla Fernandes) and her mother-in-law Pauline (Bebinda Fernandes) and the other of Remond (Vyron Fernandes) and his two spinster sisters Reena (Catarin Carvalho) and Ruby (Marjorie Fernandes).
Relationship between James and Kimberley turns sour as the couple is unblessed with a child and the latter seeks instant divorce from her spouse. Presuming loose character of her daughter-in-law, Pauline instigates her son to go in for divorce.
On the other hand, after the death of his parents, Remond turns into an alcoholic and is left to fend by his two spinster sisters. Bawarlaliya (Basilio Carvalho), a Rajasthani employee serving for 10 years in Goa, takes advantage of the situation and with his co-partner Baldev (Francis Fernandes), a native from Andhra Pradesh, decides to tie the knot with Reena and Ruby, respectively.
But are those non-Goans keen in the welfare of Remond’s sisters? Or are they seeking their own selfish interest? After divorce, what are the future wicked plans of Kimberley? Finally, who lands into a ditch? These queries find answers during the second half of the drama.
‘Pavtolo’ tackles burning issue and highlights the prevailing situation in the State with migrant population. Several minor scenes in between the main acts leave the viewer wondering whether this drama falls within the specified frame of ‘sat podd’dde’ or beyond. Although the tiatr highlights the hidden agenda of the wanderers in the State, the concluding message has no relevance to the main plot.
As husband and wife, Vincent and Prescilla deliver their dialogues promptly, but could have been more expressive in body language. Pauline fits well in mother-in-law’s shoes. Vyron as an alcoholic was impressive. Reena and Ruby displayed confidence as siblings. As migrants, Basilio and Francis were presentable, both in body language and dialogues.
In the comical act, Inacin displayed great command in her tone independently. A companion would have helped to instill laughter among the audience.
In the category of songs, the opening choral by Alricha, Zelinda, Karen and Minoshka was appealing. The remaining duos, trio, duet and quartet that followed were presented with gusto and confidence. Solos by Karen Martins and Basilio Carvalho caught the attention of the audience.
Live music by Vitorin Araujo and his team was alluring. With regards to light and stage sets, Ratnakar Salgaonkar and Kiran Bharve carried their respective tasks professionally.
