Goa History: Vintage Portuguese-Era Signpost Near Old Patto Bridge in Panjim Lies Neglected, Calls for Heritage Protection

On the right side of the western end of the old Patto Bridge in Panjim stands a neglected vintage signpost that reflects a unique architectural and historical legacy.

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The signpost seen standing prominently in a screen grab from the 1963 Konkani film Amchem Noxib

The signpost is a cement structure consisting of a rectangular column with two rectangular directional panels placed at right angles. Each panel is supported by a projecting arm extending from the column, giving the structure a balanced and distinctive appearance. The panels feature engravings of three place names each, indicating directions to various locations, along with their appropriate distances from Patto.

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Close observation of the engravings reveals that the place names originally carried traditional Portuguese accents, reflecting Goa’s colonial past under Portuguese India. Over time, however, the engraved spellings have been highlighted with black paint, which has obscured the original Portuguese accents and altered the historical authenticity of the inscriptions.

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Historic Signpost Falls into Neglect Despite Cultural Significance

Despite its cultural and historical value, the signpost has remained neglected for many years. The structure shows visible signs of deterioration, and a corner portion of one of the panels has already broken off. What was once a prominent roadside marker now stands weathered and largely ignored.

Interestingly, the signpost can be seen standing prominently in a clip from the 1963 Konkani film Amchem Noxib, offering a glimpse of how it appeared during an earlier era when it formed an integral part of the city’s streetscape.

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One of the panels also mentions the place “Tinem,” a name unfamiliar to many today. A reference to this location appears on page 34 of the book Historical and Archilogical Sketch of the City of Goa, 1878, highlighting its presence in historical records.

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This modest yet historically significant structure is a silent reminder of Panjim’s layered past. Heritage enthusiasts believe that such relics of urban history deserve urgent attention, restoration, and protection so that they can continue to narrate the story of the city to future generations. Preserving this architectural fragment would not only safeguard a piece of Goa’s heritage but also reinforce the importance of protecting smaller, often overlooked elements of the region’s cultural landscape.

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Frazer Andrade completed his schooling at Loyola High School, Margão, and pursued higher secondary education at Rosary Higher Secondary School, Navelim. He holds both a Bachelor's and Master's degree in Pharmacy from Goa College of Pharmacy, Panjim. After a year in the pharmaceutical industry, he transitioned to the field of art by interning at the Museum of Christian Art in Old Goa. This led him to Mumbai, where he worked with a private art conservation firm and later studied conservation at the Prince of Wales Museum. Currently, he works as a journalist with a local Goan newspaper. Passionate about Goa’s art, culture, and heritage, Frazer has been actively involved in preserving Goan Christian art since 2014, and antiques since 2012. He founded and manages the Facebook and Instagram pages Indo-Portuguese & Goan Christian Art. Through his ‘Green God’ initiative, he promotes eco-friendly religious sculptures. His interests also include gardening, cycling, and writing. An enthusiastic ambassador for Goa, he takes pride in sharing its rich heritage. Frazer has published two pharmaceutical research papers in international journals and co-authored a research article on art conservation.