THE CHIKAL KALO OR THE MUD FESTIVAL AT MARCELA

Mud festivals are celebrated in many parts of the world like in Boryeong in South Korea, in Louisiana in USA, in Brunsbuttel in northern Germany and the Mud Olympics near Hamburg in Germany. The most well known of all is the Korean festival where millions gather for weeks of muddy frolic.

Nevertheless, the mud festival at Marcela, Ponda, Goa, is a unique one, little known to the people beyond Ponda. Like all goan folk festivals and fests,the Chikal kalo is  strongly  linked to an element   of  Mother Nature, the mud . If you ask any elderly Marcelcar, when was the beginning of this celebration, you will get answers   as varied as “ I do not know:” “ my grandparents used to play in the mud on this day”” probably 300 years back “ others state with wisdom. It is difficult to go back in time to ascertain the moment in Time, when the folk festivals began, as there is no written evidence about them beyond 300 years back.
The Chikal kalo festival has also another distinctive feature: The temple where it is celebrated is only one of its kind in the whole of India, as it is dedicated to the mother and the child:Devaki Krishna.The celebration  is on the  twelfth day of the month of Ashada of the Hindu calendar and  this  day  happens  to be  in mid July. Heavens pour endless rain and the ground is so drenched and the mud so wet that it creates the appropriate conditions for this enjoyable rain celebration. On   Ashadi Ekadashi, the singing of the bhajans begins at noon by lighting the lamp of the temple. The singing continues through the night and ends on the next day at 11 a.m. At this juncture, people from the vicinity enter the temple to dance and sing around the lamp that is lit and offer a prayer   to Goddess Devaki. On the dot of noon, natives who were in the temple praying and dancing take a small amount of oil from the lamp and rub it on their arms with the belief that Devaki will protect them from all dangers. 
The great moment has arrived.  The group descends   in a procession to the square in front of the temple, singing bhajans   to the accompaniment of the mridang and tal , the two  instruments which  were   so loved  by Lord Kkrishna. The procession has a leader and his role is important in the open area of the temple where children, young and old play with mud. They pick up handfuls of mud and   slosh, and splatter and throw it on each other believing that Lord Krishna is among them   The entire crowd in the square is fully covered with   the sticky brown stuff from head to toe and unrecognizable. Then, the leader takes charge of the games.   These games played by Lord Krishna    at Mathura are described in the mythical texts and have necessarily to be played at Marcela. There are about 8 games, which are played to the beat of two musical instruments, the favorites of Lord Krishna. 
The most interesting game is the Chakr or the wheel. Youngsters lie on the ground and     make a formation resembling a wheel by touching their feet. The leader gives the command to start the game so the   human wheel   of youngsters starts to rotate, the wet mud below them facilitating their rotating movement. Afterwards, the   other games follow like the blind man’s bluff, a mock wrestling exhibition, a tug of war, etc. Senior citizens generally do not participate in these exhaustive physical games but they get pleasure   by playing with mud   and recalling their good old days.
 The mud at the temple of Devaki Krishna has curative effects for some skin diseases. Those who have been cured return to fulfill their promise. In addition, childless women, place the image of Krihna in the layers of   their sari and if she gets a child, she   comes back to fulfill her pledge. . Interestingly, the vows   consist in preparing a special sweet, which resembles a paratha or a puran poli stuffed with jaggery  and scrapped   coconut. The distribution of these sweets is also another out of the ordinary way: The person stands on a stone platform near the temple and flings the sweets to the crowd below. Some of the sweets fall in the muddy ground and others are skillfully caught and enjoyed by the crowd.
(Inputs  by Vinayak  Khedekar)

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